While older BioWare games such as Baldur’s Gate II had romance subplots, Knights of the Old Republic was the first of their RPGs to feature full voice acting for all characters (excluding the player), making it more immersive than those titles.
To give you an example of how writers can create a love story that improves the game, I’ll discuss BioWare’s 2003 release Star Wars: Knights of the Old Republic. I enjoy a well-written love story every so often, but the operative word is “well-written.” In catering to both SJWs and loveless nerds, not only has BioWare’s writing gotten worse, the games themselves have suffered. I’m not some meathead who demands that video games be nothing but explosions and murder. Even worse, SJWs have hijacked them in order to spread their agenda of normalizing degeneracy. In practice, BioWare’s slavish fanboys have perverted the games’ romance plots into a substitute for real-world interaction. Basically, as an extension of role-playing games’ ability to let you control how the story plays out, virtually all of BioWare’s games allow your character to fall in love with one of the other main characters, with newer games including sex scenes, though they are (fortunately) censored. If you’re a fan of BioWare’s RPGs, you know all about the scourge of the company’s “romance plots.” Merely typing that phrase makes me want to snap my laptop in half, but I’ll try and hold it together for the sake of this article.
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